Tuesday, November 03, 2009

Gert Dooreman. Letterenhuis



Last week I visited a retrospective exhibition of Belgian graphic designer Gert Dooreman (Letterenhuis , Antwerpen). So many beautifully designed books and posters!
The exhibition is open till 3 of january 2010, so I would stronlgy recommend it if you are in Antwerpen.




Gert Dooreman. Letterenhuis



First thing you could see entering the exhibition was this huge wall.

Gert Dooreman. Letterenhuis





Gert Dooreman. Letterenhuis





Gert Dooreman. Letterenhuis



Sunday, November 01, 2009

Integrated2009



Design conferences in Belgium are very rare and I was very excited when I discovered the Integrated2009 in Antwerp. It is a two days conference with an amazing list of speakers as Stefan Sagmeister, Siggi Eggertsson, Georgio Olivero, Jan Wilker, Erik Kramer and the legendary Storm Thorgerson. His presentation I will remember for the rest of my life.
I must admit that the event was very good organized. There was a place for young talents and for poster/book sign sessions as well (where I got a poster signed by Sagmeister. Yes!). At Integrated2009 I discovered new names as David Shrigley (UK) and Renaud Huberlant (BE). Although I have very poor knowledge of French (the presentantion of R.Huberlant was in French) I was able to follow it quite well, the work spoke for itself. Simple and intelligent. In the very end he shared with audience his latest news: Renaud Huberlant will curate an exhibition about Belgian graphic design in 2010 in France. I certainly don't want to miss that!

more details soon.

foto by Integrated2009

Tuesday, October 13, 2009

Lecture. Sara De Bondt.



Yesterday, by a lucky chance, I found out that the Belgian designer Sara De Bondt will give a lecture at KASK (Ghent). I registered as fast as I could. When I arrived the auditorium was almost full, but I've managed to find a place just in front.
She shortly introduced herself, schools she went to and told the story of her decision to stay in UK. When she was about to return to Belgium it was James Goggin who was in search of somebody to work and share his studio with. So she accepted the job. After a period working in a studio she decided to go on her own and started up the "Sara De Bondt studio". Chris Svensson joined in 2008.
She shortly mentioned her work for Wiels (in cooperation with Jo De Baerdemaeker), her work as tutor at The Royal College of Art in London and spoke about 3 latest major projects: exhibition designs for Martian museum terrestrial art, Radical Nature and Nottingham Contemporary.





"Anthropologists from outer space set out on a mission to understand life on earth. Imagine that they begin their mission by examining the curious phenomenon that human beings call ‘contemporary art’. What does Art tell them about human life and culture?"
Martian museum terrestrial art is an exhibition orginized by Barbican Gallery (London) in 2008. The challenge of this project was to create communication between people and martians. Not an easiest task I must say. But the approach and the solution seemed very interesting to me. So how would the martians communicate with us, humans? Therefore she have created a geometrical typeface Futuro ET which would be looking good with the Futura bold italic used by the Barbican Gallery. Everything at this exhibition was in two typefaces/languages: signalisation, names of artists, their artworks and even the catalogue. It looked good and fitted the purpose.
She spoke about the importance of giving the client something more then just a finished product, as for instance logo or poster. It is important to give something that client can (re)use, as it was with Futuro ET typeface which has been given to the client and has been (re)used in newspapers ads and in the comming publication about exhibition.
The Futuro ET font can be downloaded for free as well.



"Radical Nature is the first exhibition to bring together key figures across different generations who have created utopian works and inspiring solutions for our ever-changing planet."
Radical Nature (Art and Architecture for a Changing Planet 1969–2009) is another exhibition at Barbican Gallery (London).
Talking about this project Sara De Bondt emphasized the conscience of us, graphic designers, the choices we make at work, the printing techniques we use and how harmfull are they for the environment. Everything she created for this exhibition was made with recycled materials and has been printed on RISO wich uses soja ink.
She compilled a Radical Nature Manifesto which can be downloaded for free.

Monday, October 12, 2009

Short break

Hi,
It is been a while since my last post. Due to reconstruction of the printing departement at the MIAT museum, I will be able to (re)start printing from february-march 2010.
In meanwhile I got published (there are still some publications comming next year), I am busy thinking about new works and plan to start up my own studio (together with my husband). So there is a lot of stuff comming up :)

see you soon!

Monday, August 24, 2009

Pressing Letters



Just found my work posted on Pressing Letters blog. I am happy to be part of this creative community with an amazing collection of inspirational letterpress works available online.

"Pressing Letters is an effort to catalog and promote creativity in our expanding letterpress community…The goal of this site is to collect and display references and progressive letterpress design as it is published or found."

Dont forget to check the resources page!

Wednesday, July 29, 2009

MIAT. Gentse Feesten 2009






In the very end we cleaned up everything properly, drink the last one and recieved certificate printed with wood and movable type at the museum. It was great! See you next year!

MIAT. Gentse Feesten 2009





Wood type prints I've made at the museum.

MIAT. Gentse Feesten 2009





MIAT. Gentse Feesten 2009





I got obsessed with birds :)

MIAT. Gentse Feesten 2009







I found some old ('50s) engravings from Electrabel and used them in combination with letter "o".

MIAT. Gentse Feesten 2009


little poem in west flemish written by one of participants





work of Jean Paul Monbaliu is also connected with language and dialiect. "Drink meer geuzen, eet meer tjeven" is apparently an old saying.

MIAT. Gentse Feesten 2009





participants of lithography workshop at work

MIAT. Gentse Feesten 2009






I've been testing new arrivals. I loved these beautiful geometric shapes.

MIAT. Gentse Feesten 2009







New type arrivals and the new ornaments produced by Ludlow Typograph

MIAT. Gentse Feesten 2009






works & work process of participants

MIAT. Gentse Feesten 2009


press used for printing newspapers

tiny letters cutted out of foam




A Ludlow Typograph is a hot metal typesetting system used in letterpress printing. It uses molds, known as matrices, which are hand-set into a special composing stic and produces line of type. The result is perfect - text looks very sharp.

MIAT. Gentse Feesten 2009



detail of the collection, old press and cutting machine (still working perfectly)



old lithography stone (1800+) has been discovered and reprinted at the museum

MIAT. Gentse Feesten 2009




Participants are busy preparing stones for lithography


and Jean Paul Monbaliu is working on new lithography press.

Sunday, July 26, 2009

MIAT. Gentse Feesten 2009



Some time ago I took my very first letterpress workshop at the MIAT museum, Ghent, Belgium. Since then I got a letterpress "disease" and became a volunteer at the museum. This year, as well as last year during the Gentse Feesten (19-27 july) I spend some time at the museum. I got an opportunity to design and print a film poster for the museum which has been distributed in the city and is available for sale in museum shop (50 handprinted and signed pieces, 64x96 cm). Besides demonstration with letterpress given by different volunteers, there was one more activity organized this year - lithography workshop onder the leading of Jean Paul Monbaliu & Sybran Snoeck.

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